In time, earth fades, leaving only the wind. These are the techniques which feel so much lighter to uke, unlike earth, and are so ephemeral and difficult to see, unlike fire. These are the techniques which often send uke flying, such as kote gaeshi, kubi guruma, or sumi otoshi. There is a moment of faint connection between tori and uke, but then it's gone again.
Wind neither strikes like fire, nor holds like earth. It brushes against the skin lightly, here, then there, then over there. This is an element that astounds younger, newer students.
Consequently, he can at times begin to believe in his own "magic," indulging in his new role as mentor and sensei. He can also fall in love with the sound of his own voice, philosophizing ad naseum to a room full of captive, weary students.
Wind is open. While fire and earth tend to focus on what's in front of them, wind is constantly moving, aware of everything around it, yet fixated on none of it.
Wind's movements are often circular, wide and expansive. Grabbing hold of him is like trying to hang on to a bucking bronco. An uke may give up more out of frustration and exhaustion then the need to tap out.
Wind moves late, go no sen; he prefers tenkan more than irimi.
Wind takes ukemi with incredible ease and nonchalance. He smiles now, too.
You can reap his leg from the outside, with either a large or small reap.
Ouchi gari & Kouchi gari
You can also reap his leg from the inside, with either a large or small reap.
. . . . . . .
Osoto barai & Kouchi barai
You can sweep his leg from the outside, with either a large or small sweep.
Ouchi barai & Kouchi barai
You can also sweep his leg from the inside, with either a large or small sweep.
. . . . . . .
The idea of treating a "gari" throw like a "barai" might be unusual in the judo world. But they're definitely worth exploring. It all depends on whether he has weight already on the leg, or if it's weightless. Learn to take advantage of both situations, this yin and yang. Then learn to create both situations.
I'm a student and instructor at Windsong Dojo in Oklahoma City, OK, where we study a non-competitive style of Tomiki Aikido, as well as Kodokan Judo, and Seitei Jodo. I've been studying budo for 19 years, and I hope to study many more. Welcome!