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Showing posts from June, 2013

Five Elements: Wind

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In time, earth fades, leaving only the wind. These are the techniques which feel so much lighter to uke, unlike earth, and are so ephemeral and difficult to see, unlike fire. These are the techniques which often send uke flying, such as kote gaeshi, kubi guruma, or sumi otoshi. There is a moment of faint connection between tori and uke, but then it's gone again.

Wind neither strikes like fire, nor holds like earth. It brushes against the skin lightly, here, then there, then over there. This is an element that astounds younger, newer students.



Consequently, he can at times begin to believe in his own "magic," indulging in his new role as mentor and sensei. He can also fall in love with the sound of his own voice, philosophizing ad naseum to a room full of captive, weary students.

Wind is open. While fire and earth tend to focus on what's in front of them, wind is constantly moving, aware of everything around it, yet fixated on none of it.

Wind's movements are oft…

Gari & Barai

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If uke refuses to move, load weight into his leg. Root it like a tree, then cut it down.


If he moves, extend his step.  Clear the foot as if sweeping away the leaves. 


Osoto gari & Kosoto gari You can reap his leg from the outside, with either a large or small reap.
Ouchi gari & Kouchi gari You can also reap his leg from the inside, with either a large or small reap.
. . . . . . .
Osoto barai & Kouchi barai You can sweep his leg from the outside, with either a large or small sweep.
Ouchi barai & Kouchi barai You can also sweep his leg from the inside, with either a large or small sweep.


. . . . . . .
The idea of treating a "gari" throw like a "barai" might be unusual in the judo world. But they're definitely worth exploring. It all depends on whether he has weight already on the leg, or if it's weightless. Learn to take advantage of both situations, this yin and yang. Then learn to create both situations.